“My photo appears correct on my computer, but when I uploaded it to [website], it is sideways. How can I make my image upload in the correct orientation?”
This problem is surprisingly universal, it affects many different web sites and users of Windows, Macintosh, tablets and smartphones are all affected. It most often affects photos that were taken in portrait orientation.
The problem is caused by the varying interpretations of the image rotation tags in the EXIF data accompanying digital photos. This problem is not likely to go away anytime soon because the meaning of the rotation tags is somewhat ambiguous, and there is disagreement about what the correct way to handle them ought to be. Some software thinks it should apply the tags, other programs or sites think they should ignore the tags or remove the tags.
There is an easy solution for users: Edit the photo in your photo editor of choice (with the possible exception of Windows Picture Viewer). Rotate it to be right-side-up if necessary. Then make some other change that affects the image. Tweak the contrast or the color. Crop the image slightly. Almost any change will work. Then, save it.
The saved image will have its pixels oriented properly and have no Orientation tag, or have the default Horizontal tag. Everybody agrees on how to display an image like that. When you upload it, it will display the same as you saw it on your computer.
If you edit an image, but only rotate it, your editor will probably just change the Orientation tag without changing the image pixels. Unfortunately, not every program or site will interpret the Orientation tag the same way as your image editor.
If you make a change to the actual image, it forces the program to completely re-write the image from scratch, which results in an image with the default orientation.
I am a backer on Kickstarter for the $59 wireless Nova Flash from https://www.novaphotos.com/. The hardware recently shipped to backers, so I have had a chance to try it out.
Since I have been interested in off-camera flash in general, I backed and bought the Nova flash. The Nova brings the general advantages of off-camera flash to the iPhone and Android platforms. Off-camera flash improves your photos by moving the light source away from the lens. Your subject has more natural shadows and detail. Off-camera flash is at its best in portraits, where subjects lose that deer-in-the-headlights look and have more natural skin tones. An off-camera flash can also give your portraits a nice catch-light reflection in the eyes.
The Nova flash works with a dedicated Nova camera app which fires the flash using Bluetooth radio control.
The initial release of the Nova is oriented towards the iPhone, with a very basic camera app for the Android. I only tested with the Android version for this review.
Nova requires iOS 7 or Android 4.3 or greater. It requires that your hardware support Bluetooth 4.0 low energy. For this reason, the Nova requires newer iOS devices: iPhone 4S/5/5C/5S, iPad 3/4/Mini/Air or the iPod Touch 5G. I tested on the Motorola Moto X, running Android 4.4.
The Nova hardware is super simple. It’s a thin white plastic case with no user controls or buttons at all. It has a micro USB port which is used to charge the internal battery. It is extremely compact which should encourage you to take it along frequently. The translucent case allows the LED lights to shine through with a nice diffuse glow.
Below are before and after photos taken with the regular Android camera app, and with Nova.
The face is underexposed without flash. I took another photo using the stock camera app, with the built-in flash, but it was a total disaster — shiny skin, closed eyes, really awful, trust me. Mercifully, I deleted it.
The Nova flash provided a nice fill-flash here and really made a much nicer photo.
The Nova acts more like a radio controlled LED flashlight than a traditional photo flash. When you take a picture, the flash comes on for a couple of seconds, during which time the photo is taken. So, you won’t be stopping any fast action with this flash. The long illumination time appears to allow the camera to adapt to the new lighting situation and take a properly exposed photo. The good thing about this is your subject has time to get over any blink reflex before the photo.
Nova Flash Summary
Compact size, light weight
Bright enough to make a real difference
Occasional trouble connecting via Bluetooth – restart App or turn Bluetooth on/off to recover
No indication of battery state. This would be a nice addition to the app.
Update: June 2016 Not Recommended
The Nova Flash just went on the trash heap of otherwise nice products condemned by a bad battery. Mine sat in the drawer for 6 months. When I was ready to use it again, it wouldn’t charge up or operate. The battery is not replaceable. Since the unit doesn’t have an off switch, the battery discharges drastically when not in use. I can’t recommend getting this, since the same thing is virtually guaranteed to happen to every unit eventually.
Genealogists and historians photograph tombstones. Tombstones are literally history carved in stone. A lot of people are out there photographing tombstones. As of this writing, the popular site FindAGrave.com lists about 90 million graves, and millions of those have photographs submitted by ordinary people. Around 50,000 grave photographs are submitted to FindAGrave every day.
Unfortunately, many tombstone photographs are very disappointing. Many of the most interesting tombstones are old, worn and discolored. It is common for the inscription to be unreadable in the photograph. You cannot fix the typical, low-contrast tombstone photo in Photoshop or other image editing programs. You might make it slightly more readable, but mostly you’ll be enhancing the appearance of moss and lichens on the surface of the stone. Frequently, the inscription is also unreadable in person, on site. This article will show you how to take photographs of tombstones that are not just a little bit better, but a vast improvement over the naïve approach. You can even take photographs which allow you to read inscriptions that you could not read when you were there in person.
The key is proper lighting. In the movie industry, they say “Lights!, Camera!, Action!” in that order. Notice that the lights come first. We’re trying to photograph a nearly flat surface with a slight bit of carved relief. If you photograph a tombstone on a sunny day, you’ll have light from any which way, and often scattered light from various parts of the sky. This can give the stone a very flat, low-contrast appearance. To bring out the carved relief, you need the light to strike the face of the tombstone at a very shallow angle. You absolutely do not want to use a camera-mounted flash, or your camera’s built-in flash. These will remove all the shadows that you need to emphasize.
Artists and human-factors experts determined long ago that the human mind perceives relief most easily if the lighting comes from the upper left.
So, you need to control the lighting in such a way that the strongest light source is from the upper left as seen by the camera and strikes the stone at an angle nearly parallel to the face of the stone. The easiest way to do this is with an off-camera flash unit. It can be wired or wireless, but if you use a wired unit, you will need a flash cable that is long enough to keep it out of the photo. You could use tripods for the flash and/or the camera, but the easiest method is to recruit a photographer’s assistant to hold the flash unit over the tombstones.
High-Speed Sync (or not)
(June 2013: Good News: I revised the text to not emphasize high-speed sync. It’s expensive, and you don’t really need it.)
What we’re trying to do here is arrange things so that the flash can overpower daylight. The shorter the exposure, the greater advantage the flash has over the sun. The flash puts out all of its light in about 1/1000 of a second, while the sun shines all the time. Shortening the shutter speed dims the contribution of the sun, but hardly affects the flash at all, up to a point.
My photos here were taken with a Konica-Minolta Maxxum 5D and Minolta Program 5600 flash. This camera is getting kind of old. In fact, it is out of production, with Sony having taken over the Konica-Minolta line. I used this camera instead of my newer Canon specifically because this one has wireless, high-speed flash, and I have the corresponding flash unit.
The high-speed sync feature seems like a good idea until you realize that it also usually diminishes the effectiveness of the flash. If your camera and flash have high-speed sync, great, but don’t overdo it.
The good news is that at the close range we’re going to be using, common flash units can have an advantage over sunlight in the range of 3-5 f-stops. That’s a nice margin to work with. So, here’s how to set up your camera when using a simple, non-high-speed flash setup:
Set the flash to maximum output
Set the flash to its 35mm or 50mm angle (these are the defaults for many flashes)
Set the camera’s ISO to a fixed, low value, say ISO 100.
Put the camera’s exposure on manual
Set the fastest shutter speed which doesn’t require high-speed sync, say 1/200
Adjust the aperture (f/ stop) such that the photo would be about 2 stops under-exposed without flash. A good starting point would be f/22.
You’ll have to make adjustments for the lighting in your particular situation, but underexposing mostly through fast shutter speed is our way of emphasizing the flash while de-emphasizing the sunlight. It will take a few test shots to get the best settings and get the flash aimed right, but that’s the great thing about digital — it’s cheap to keep trying. If your shot is over-exposed, you should reduce the flash intensity, move the flash further away, or use a smaller aperture (larger f-stop number). In any case, keep the shutter speed the same.
Here’s an example of what this technique can do for you. Don’t try this in Photoshop! It’s not happening.
These two photos are of the same gravestone. The first was taken by veteran Find A Grave contributor Scott A. Steinbrink. He was apologetic for the photo, but noted he had an “awesome” camera, and that the photo matched what he saw in person. He’s absolutely right — there’s nothing wrong with his camera, and his photo is as good as many that I have taken — but there is a better way. The second photo was taken of the same stone in 2013 using the technique described in this article.
-Jamie Cox (ajmexico on Find A Grave)
June 1, 2013 update notes:
Some cameras require two flash units or a separate transmitter and a flash unit to do wireless flash. ğ
If your camera and flash already do high-speed sync, aka FP flash, with the flash mounted on the camera, the simplest, risk-free approach may be to buy a long “off-camera” cable specific for your camera brand (Nikon or Canon). These are about $50.
The Nikon D40 can use up to 1/500 as its regular sync speed, even though it doesn’t have HSS.
NOTE: October 2014: The D40X, however has the same 1/200 flash sync speed as most cameras.
The ~$30 NPT-04 Wireless trigger from Cowboy Studio will let you use just about any old flash as your remote wireless flash. It’s cheaper than a cable.
I have seen a lot of people saying to use a mirror or other reflector for tombstone photography. Phooey on that. The light from a reflector can never be as bright as the sun. Your flash can be several times brighter. If the sun is overhead, you can’t get any downward light from a reflector. The flash lets you control the light’s direction completely.
NOTE: October 2014: I have now seen some satisfactory before and after shots using a mirror. There are provisos: The sun has to be behind the stone, so the reflected light doesn’t have to compete with direct sunlight, and the mirror needs to be as large as the tombstone. A diffuse reflector won’t work nearly as well as an actual mirror. But, it does work, and you can use any camera.